Links, Personal, Writing

Can’t Let Them Catch The Midnight Writer

The first time I can remember writing alone was in third grade. It was well past my bedtime and I barely sat on the kitchen table enough to scribble down on one of those composition books with the scattered black-and-white patterns throughout the cover and back. I don’t quite remember what it was on – insects, perhaps – but I remember the time being past the 11 o’clock news and no one being in the room with me. The only reason my parents didn’t try to stop was because these were the days in which my mom went into work around six in the morning and my dad’s hours were completely fucked from all the residency he did at multiple hospitals.That was around 1995.

It’s 2002 and my sister is fast asleep. Years of staying up late writing or playing games have added up by then and the internet have mixed it all up and made me into a huge mess of insomnia and information addiction. The Compaq PC was the only computer my family had  at the time, and I was the one that was on in more than anyone else. When I wasn’t downloading music at the speed of Congress getting any work done, I pulled up document files while I talked to other friends with sleep problems – mostly girls – and wrote. I played music at very low volumes so that no one noticed I was awake, at least not until it was two or three in the morning. I pulled many all-nighters writing topic and country papers for Model UN (yes, I was that kind of nerd, and I’m not ashamed of it). My brother introduced me to energy drinks because of my nocturnal writing patterns, and I learned the concepts of deadlines and how to produce quality work. It just took the darkness.

More sleep disappeared in college, as I wrote my fiction/poetry out of boredom at night when I wasn’t working on lab papers during the day. There was less sunlight there, creating days with an illusion of perpetual twilight. And that was all I needed to keep the words flowing. I was pretty much a wreck at that point and well on my way to the major crash that would occur near the end. Every night has a dawn, and some are painful and blinding.

When I finished school and my brain finally decided it was time to go haywire, I had to give into a set sleep schedule. I had help from someone, but the more I slept the more I lost the night, and there went the dark and the silence and the click-clack of my fingers on something. The first rounds of medication didn’t help either – they dulled everything, from my physical hunger to my thoughts. I took a considerable amount of time to write again, and to no surprise it came back to me in the dark, when I was working a night job with a bunch of Mexican guys. During breaks I would take out a small notebook and jot down pieces of a story inspired by what I was doing.

As of this writing, it’s almost  6 AM and the sun is just making its way up. The sensation is the same as it was years ago, and I am spell-checking and fixing any grammatical errors on my sister’s paper after doing some of my own personal work. The rush of night writing, the liberation and isolation it allows me to have, is amazing, but there is a new thought that crosses my mind – will this always be the way it works?  I hoped I could find a way to do this with the sun but I never can. This thing, this path that gives me strength, it’s unhealthy and this will hurt eventually but I don’t see any other way to do this. I’ll just continue writing until the light comes, then find my way to sleep if the day allows it.

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Links, My Work, Writing

The Weekly Tumblr Dump – 3/21/14

 

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Sipho Mabona wants to make a life-size origami elephant using a 2,500 sq. ft paper. I’m a big fan of paperfolding so I am excited to see it happen.

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From writer Chuck Palahnuik’s latest essay on writing (from his own Tumblr site). Apparently you have to sign up to the mag that has the full one but this quote is good enough, I think:

Whether you’re making music or films or painting pictures… play to the strengths of your medium.

One of the aspects of written narrative I appreciate most is the ambiguity that’s possible and sustainable before the true nature of a fictional situation is confirmed. Like the roadster in The Great Gatsby which is green or yellow, depending on the moment, I love to keep the details of a story in flux. One thing morphs into becoming another, sometimes even a third thing.

My classic example comes from the story “Guts.” Whatever is holding the narrator underwater, first it’s a snake, then a sea serpent, then it’s a prolapsed colon, finally it’s a “thick rope of veins and twisted guts.” This gradual evolution from the fantastic to the horribly real is something films have less success depicting. There are good examples. In A Portrait of Jennie Joseph Cotton gradually realizes his girlfriend is dead. A ghost. In Jacob’s Ladder Tim Robbins slowly comes to terms with the fact that he is, himself, dead. But too often the ambiguous thing must be made real in order to be filmed, and that robs it of the power of being debatable, undecidable. So often, once we see the monster, it’s no longer scary.

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This made me laugh as a man who’s felt those.

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From Lev Grossman’s post titled ‘Small Batch Writing” (via http://kadrey.tumblr.com/):

I’m always on the lookout for little gaps like that in my schedule: anytime I can get a block of 10 minutes or more, I take it. I write in waiting rooms. I write in cars while other people are driving (this is very boring for them, but I do it anyway). I write while pasta is boiling.
Sometimes when I’m taking care of my kids they fall asleep, or lose consciousness for other reasons. The second they do I’m at my keyboard. Ninja writer strikes! Then I go back to changing diapers.

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Writing

20,000 Word Death Bar Halftime Report

Dammit.Well, last night’s push definitely help, but I got mired in weddings/Dark Souls/unpacking and I can only take the fault for Dark Souls (that game is the goddamn devil). Here’s the breakdown:

4541 for continuing my rewrite of the initial Terra Occulta comic arc into short story/novella form.
3371 for a story in the same universe that is muuuuch later in the story between the protagonist and his sister
752 for a work-in-progress entry on my seizure.
768 on an anti-nostalgia article which I’m cleaning up now.

If I keep working on the main story, I should be able to bang out the remaining 53%. let’s see what happens.

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Writing

Me Vs. Death Bar, Round 2

OK, it’s that time again where I get my serious writing on. I’m already working on a few things already but I’m not going to count those words – or edits/translations of old stuff – because that’s cheating. And I only cheat at Monopoly, or on final exams.

Anyway, The new deadline will be All Hallow’s Eve, so starting tonight, that gives me a month to write:

OK, let’s get there.

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Writing

Death Bar Halftime Update

Not bad so far. Here’s the breakdown:

745 words on a new story for my main project, an urban fantasy ( I’ve named the world/idea Terra Occulta, but I know I’ll change that at some point. maybe)

765 on scripts for a webcomic I’ve been working on, a multiverse buddy comedy.

350 on finishing up my MEXICANS IN SPAAAACE story I wrote back in January. I know how it ends, I was just never sure about the details.

I am disappointed with how much I got done on Friday, but I had a busy day with work and Rise Of the Planet of the Apes (which was good, go watch it). Tomorrow isn’t going to be any easier, I’m out most of the day.

Shit I’m starting to see why Ellis is going madder and madder in his Death Bar entries. Maybe I’ll call it the Insanity Bar. Who knows.

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Writing

Death Bar Operational

I’ve done a lot of writing lately, but I need a deadline. That’s when I turned to señor Warren Ellis for some help. He’s currently writing his second novel, Gun Machine, and to get it done in time for release he needs to finish 5000 words a week. He’s using the above progress meter to show how much of the (at the moment 80000) word goal he needs to meet. I’m only doing a small amount, 5000, in a week, just to see how much I actually get done.

As to why I call it a Death Bar, Ellis has given it that nickname. I’m using it as a proxy name until I see how much time I get done.

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Art, Links, Literature, Poetry, Sci Fi, Science

Afrocyberpunk to Genocide

It’s really cool to see sci-fi writers from other parts of the world getting some press, so let’s all give  Jonathan Dotse props for actively trying to bring the cyberpunk genre to Africa. Sci-fi fans should check it out regularly to see a different take on what has become a rather played-out genre.

Turing it back to just regular science (if you can call it that), a group of British scientists have found a way to transfer all the genetic material of one egg  without mitochondria. The reason this is interesting is in how this could save many people in the future from diseases caused by mitochondrial defects.

Here’s an eye-opener: approximately 600,000 workers in China die a year making the parts for the computer or mobile phone you’re reading this from. They even have a name for it: guolaosi, which is Mandarin for “worked to death”.  The Consumerist article got its info from this Johann Hari article. Hari also wrote the amazingly good article on horrible work conditions in Dubai that I mentioned a while back.

For all you conspiracy theorists, reading up on the mysterious mass poisoning at  Pont-Saint-Esprit has a pretty interesting theory: instead of the ergot poisoning that has mainly been seen as the main cause of the psychosis people felt, one Hank P. Albarelli Jr wrote a book claiming that the CIA used Pont-Saint-Esprit as a LSD testing groundLSD as part of that tin-foil hat favorite,  MKULTRA . Add Rennes-le-Château to it and you can start making a pretty weird road trip in southeast France.

Comic artist Cameron Stewart, who happens to have a blog for all his artwork, has won a Shuster and Eisner Award for his own webcomic,   Sin Titulo. It’s a good noir fantasy story about one man’s descent into some dangerous people and some of his own personal demons as well.

I just got into reading the poems written by Jeremy Prynne, and I seriously don’t know what to make of it. There’s this odd lyricism that exists in his almost stream-of-consciousness poems that works somehow. Check out this introduction into the man and his work, and here is a link for one of his pieces, ‘Rich in Vitamin C’ to learn more.

To cap it all off, here’s a video of  Carlos Andrés Gómez’s amazing spoken word poem, “What’s Genocide?” (here’s a link to the written version):

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