Girl Band, Part 1
Note: I was published in a poetry book by Saul Williams years ago. The title of the poem is Girl Band, and I decided to write a four-part flash fic piece from each stanza.
Little maiden blue, burqa blessed,
she holds monstrous stories told
in the spaces of her lyre; infantile,
how her voice is muffled by the cloth
It didn’t surprise her fans that tickets to her shows sell out in ten minutes or less. She liked choosing small venues – this time a considerably-sized lounge – and a place where protesters would not be an issue.
The fear in her mind left years ago when she escaped the terrorist camps, so she had her dark gray tour bus park in front of the lounge and the few protesters that had made it outside on that cold December night. The shouting were a cacophony of Arabic, Urdu, Farsi while the police shouted in English. She remained silent, her mouth hidden beneath a black burqa adorned with a bronze grille. Her blue eyeliner gave the looks she made at her opponents the more menacing while she walked inside the lounge.
The techs set up the stage quickly – all that was needed was a rug to cover the stage’s wooden flooring, a comfortable and stylish seat, and a table at the proper height for her instrument. She had been using a three-foot tall lyre, gilded and Sumerian designed for the better part of a decade.
The red and purple stage lights came down on stage, and she came in, draped in a long, light blue burqa with a golden mesh. It looked as if she was floating towards her lyre. She sat down on the seat and pulled her arms out from under the burqa. Both her arms, covered in full-sleeve tattoos, depicted images of the bloodshed she witnessed at home, like a dark tapestry of sorrow and violence. She plucked at the strings with her right hand, whose arm had images of AK-47s and beheaded infidels.
“We born from the earth leave buckets of blood,” she sang, her voice the exquisite mix of the child and pixie, “my clit is gone…”
She commenced with her left hand, the one with an arm draped with buildings in ruin and explosions. The complexity of the melody was beautiful, making her lyrics and odd juxtaposition.
“I’ve run thousands of miles in the woods and the mud, but my clit is gone…”
The crowd could not make it if she was in pain or or if she was detached as she sang. There was a whimsy in her movement, swaying her head side to side and tapping her feet in black leather boots that seemed impossible to think she could be enjoying singing what was coming out of her mouth.
“My family is under the sand with the rest of the town,
The killers blessed my neck with knives, and I lied down… now my clit is gone.”
Her die-hard fans soaked into every word – some knew the lyrics and whispered it to friends and lovers. Others in the crowd simply walked out in discomfort or repulsion.
The song ended with a complex arpeggio. Afterwards, she spoke softly on the microphone.
“Thank you that was the easiest song on the set list. Let’s continue.’
With that, she removed her burqa, revealing an Afghani woman wearing a Rancid t-shirt and ripped jeans. The scars on her face mapped her life’s pain, but she maintained a genuine smile as she moved onto the next transgression.